Made Nila Putri, Desak (2024) IDENTIFIKASI TATA RIAS TARI REJANG DI DESA PEDAWA KABUPATEN BULELENG ERA MODERNISASI. Undergraduate thesis, Universitas Pendidikan Ganesha.
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Text (ABSTRAK)
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Text (BAB 1 PENDAHULUAN)
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Text (BAB 2 KAJIAN PUSTAKA)
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Text (BAB 3 METODE PENELITIAN)
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Text (BAB 5 PENUTUP)
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Text (DAFTAR PUSTAKA)
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Text (LAMPIRAN)
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Abstract
Penelitian ini bertujuan untuk mendeskripsikan (1) tata rias wajah, tata rias rambut, dan busana Tari Rejang Desa Pedawa pada era modernisasi, dan (2) makna dari tata rias rambut yang ditinjau dari mahkota (gelungan) dan busana yang digunakan. Tari Rejang Desa Pedawa. Penelitian ini menggunakan metode penelitian deskriptif kualitatif. Data ini diperoleh dengan melakukan wawancara dan observasi. Peneliti menggunakan instrumen yang berupa lembar observasi dan lembar wawancara serta data dianalisis dengan deskriptif kualitatif. Hasil penelitian ini menunjukkan bahwa (1) Tata rias wajah Tari Rejang Desa Pedawa mengalami perubahan di era modern sebab sudah menggunakan make up yang beragam jenisnya sesuai dengan zaman modernisasi. Pada tata rias rambut Tari Rejang Desa Pedawa menggunakan gelungan yang terdiri dari blengker, sandat emas, bunga asli berwarna merah, putih dan kuning, unggaran dan sekar taji. Pada tata busana Tari Rejang Pedawa terdiri dari kamen, sabuk lilit khas Bali, tepi, selendang sesamir, kain rembang, selendang tiga warna yakni warna merah, putih dan kuning. (2) Pada tata rias rambut dan busana yang digunakan memiliki makna yang masih diyakini oleh masyarakat Desa Pedawa. Tata rias rambut yang diditinjau dari mahkota (gelungan). Gelungan Tari Rejang Pedawa memiliki bagian yaitu unggaran dan sekar taji yang memiliki maknanya masing-masing. Penelitian mengenai modernisasi pada tata rias wajah, rambut dan busana Tari Rejang Pedawa dapat menjadi contoh untuk kesenian lainnya agar tidak menghilangkan pakem yang sudah menjadi turun temurun dari nenek moyang. This research aims to describe (1) the facial make-up, hair make-up and clothing of the Pedawa Village Rejang Dance in the modernization era, and (2) the meaning of hair make-up in terms of the crown (gelungan) and clothing used. Pedawa Village Rejang Dance. This research uses a qualitative descriptive research method. This data was obtained by conducting interviews and observations. Researchers used instruments in the form of observation sheets and interview sheets and the data was analyzed using qualitative descriptive methods. The results of this research show that (1) The facial make-up of the Pedawa Village Rejang Dance has changed in the modern era because various types of make-up are used in accordance with the era of modernization. In the hair make-up, the Pedawa Village Rejang Dance uses a bun consisting of blengker, gold sandat, real red, white and yellow flowers, unggaran and sekar taji. The costume for the Rejang Pedawa Dance consists of kamen, Balinese wrapped belt, edge, sesamir shawl, rembang cloth, three-colored scarf, namely red, white and yellow. (2) The hair and clothing used have meanings that are still believed by the people of Pedawa Village. Hair make-up seen from the crown (bundle). The reel of the Rejang Pedawa Dance has parts, namely unggaran and sekar taji, which each have their own meaning. Research regarding the modernization of facial make-up, hair and clothing of the Rejang Pedawa Dance can be an example for other arts so as not to eliminate the standards that have been passed down from the ancestors.
| Item Type: | Thesis (Undergraduate) |
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| Uncontrolled Keywords: | Pedawa, Tari Rejang, Tata Rias Makeup, Pedawa, Rejang Traditional Dance |
| Subjects: | N Fine Arts > ND Painting N Fine Arts > NX Arts in general |
| Divisions: | Fakultas Teknik dan Kejuruan > Jurusan Teknologi Industri > Program Studi Pendidikan Kesejahteraan Keluarga (S1) |
| Depositing User: | Desak Made Nila Putri |
| Date Deposited: | 12 Feb 2024 06:51 |
| Last Modified: | 12 Feb 2024 06:51 |
| URI: | http://repo.undiksha.ac.id/id/eprint/18327 |
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